POETIC SOLILOQUY:
HONORABLE POETESS SHRUTI GOSWAMI WRITES
PAGE 2
CONFUSION
poem 2 :Confusion
" They came and left,
Both time and tide.
And I feel a void inside
Like I have been deprived,
Of opportunities,
Yet blessed with tidings
Both bad and good,
Received with equanimity
When they arrived.
I know not
To mourn or celebrate,
I leave it to you,
Time and tide,
To show me the way,
Or lead me astray"
HONORABLE POETESS SHRUTI GOSWAMI WRITES
PAGE 2
CONFUSION
poem 2 :Confusion
" They came and left,
Both time and tide.
And I feel a void inside
Like I have been deprived,
Of opportunities,
Yet blessed with tidings
Both bad and good,
Received with equanimity
When they arrived.
I know not
To mourn or celebrate,
I leave it to you,
Time and tide,
To show me the way,
Or lead me astray"
BY
SHRUTI GOSWAMI
Copyright to
honorable Poetess Shruti Goswami
____________________________________
Observation and Review
This is the second poem from the collection of honorable Poetess Shruti Goswami's recent booked named as "Another Soliloquy " .The poem is so simple to understand by the average reader, but its simple words are so powerful, these will take you to high altitudes
Literary criticism or evaluation of individual
appreciation of each and every poem is equally vital like the evaluation of its
theme, analysis, description, or interpretation of poetic inspiration. It
is usually in the form of a critical essay, but in-depth reviews can sometimes be
considered literary criticism. In a way other, when we look at the
aesthetic fulfillment of poetry, you have to recognize that many modern poems
are enigmatic in the extreme, and this quality is – let’s be generous – not the
result of incompetence but a deliberate choice stemming from a particular
aesthetic.
What does that aesthetic consist of? Let’s step back for a
moment and consider the qualities of language that poets and readers pay
particular attention to. I would isolate three
dimensions: diction, rhetoric, and form. Diction can range from
colloquial to elevated, rhetoric from plain to figurative or ornate, and form
from relatively unstructured to tightly structured. Criticism may examine a particular literary work, or may look at an author's writings as a whole. As truly confused and unsure as you may feel in those moments, you’re not. You have much more clarity than you think.
“They came and left,
Both time and tide,
And I feel a void inside”
Readers are requested to re-read the above lines again. You
have a lot more clarity than you think. You see, clarity is what you are.
It’s what you’re born with, it’s your true nature, and it’s what is always
there underneath the mess of confusing thought that sometimes dances on the
surface. Confusing thought is there in spades. Being lost in your own personal thought is what produces the feeling of confusion.
The feeling you call confusion is a big to-do that’s created
in your mind when you have all kinds of conflicting thoughts (for example, do
it, don’t do it, take a chance, why fix what’s not broken?) and you seriously
entertain each of those as if they are helpful or important. You innocently treat those thoughts as if they are each deserving of consideration just because they happen to be there, forgetting that thoughts are just blips of energy—they don’t possess qualities like “deserving.”
Real as it seems, the confusion is an illusion. You nearly always know what you want to do—but you have too much thinking about it all too just go with what you deep-down know.
Note:
This Appreciation Review has been written by Williamsji Maveli with the kind permission and approval from honorable poetess Shruti Goswami, my courtesy and regards to Poetess Shruti Goswami